Meditation on the Studio Wall
During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.

During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.

Saturday October 24. The Long Exposure: Duration, meditation and the un-archivable, is one of three ‘open studio’ events that Trudi Lynn Smith and I staged in order to invite dialogue around a project that we had been working on involving photography and the studio space at 562 Fisgard Street.
Scanning through the Ikebana section of the university library I came upon this book: Rikka: The Soul of Japanese Flower Arrangement by Fugiwara Yuchiku The book speaks of the origins…
I consider Morandi in his bedroom, painting images of bottles in Bologna while fascists take hold of Italy and think about about the relevance and significance of my ‘practice’. Adopting…
Curly willow or tortured willow, corkscrew willow, Salix matsudana ‘Tortusa’Dianthus caryophyllus, carnation Equisetum, (; horsetail, snake grass, puzzlegrass) Laurus nobilis of the family Lauraceae, laurel Aucuba japonica Aucuba japonica Japanese…
Despite our strategies to bridge the visual gap between the photograph and the thing being photographed, that distance stubbornly remains…
“…contrary to the opinion of previous scholarship, the second half of Rosso’s career was dedicated to the achievement of his artistic goals through the creative medium of photography.” Francesco Bacci