Meditation on the Studio Wall
During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.
During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.
I was reading W.G. Sebald’s, The Rings of Saturn, and came across a passage where he speaks of two Persian friars who had brought the first eggs of the silkworm from China.
Saturday October 24. The Long Exposure: Duration, meditation and the un-archivable, is one of three ‘open studio’ events that Trudi Lynn Smith and I staged in order to invite dialogue around a project that we had been working on involving photography and the studio space at 562 Fisgard Street.
They haunted me for years before I could finally place them… small, darkly coloured, murky photographs of the night sky.
I came upon this in Laurie Anderson’s essay Time and Beauty. IS SOME ART MORE BUDDHIST THAN OTHER ART? A lot of the art I happen to like seems to…
Despite our strategies to bridge the visual gap between the photograph and the thing being photographed, that distance stubbornly remains…
Over the past week I encountered two works that caught my attention. One was during a critique session at UVic when Nic Vandergugten presented a video installation of Tree Climb the other was over a coffee with Trudi Lynn Smith as we talked about her ongoing project Trouble With Trematodes.