Meditation on the Studio Wall
During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.

During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.

A curator working on research for a craft exhibition drew my attention to an image he had uncovered on the internet. It depicted a large sisal textile piece I had…
At present my studio is a building behind my house.
Over the past week I encountered two works that caught my attention. One was during a critique session at UVic when Nic Vandergugten presented a video installation of Tree Climb the other was over a coffee with Trudi Lynn Smith as we talked about her ongoing project Trouble With Trematodes.
“We face the imperative to understand anew today what it might mean for photography to ‘move beyond representation’.” (Hito Steyerl from ‘Documentary Uncertainty’)
Despite our strategies to bridge the visual gap between the photograph and the thing being photographed, that distance stubbornly remains…
Curly willow or tortured willow, corkscrew willow, Salix matsudana ‘Tortusa’Dianthus caryophyllus, carnation Equisetum, (; horsetail, snake grass, puzzlegrass) Laurus nobilis of the family Lauraceae, laurel Aucuba japonica Aucuba japonica Japanese…