Meditation on the Studio Wall
During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.

During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.

Saturday October 24. The Long Exposure: Duration, meditation and the un-archivable, is one of three ‘open studio’ events that Trudi Lynn Smith and I staged in order to invite dialogue around a project that we had been working on involving photography and the studio space at 562 Fisgard Street.
Despite our strategies to bridge the visual gap between the photograph and the thing being photographed, that distance stubbornly remains…
I consider Morandi in his bedroom, painting images of bottles in Bologna while fascists take hold of Italy and think about about the relevance and significance of my ‘practice’. Adopting…
At present my studio is a building behind my house.
Scanning through the Ikebana section of the university library I came upon this book: Rikka: The Soul of Japanese Flower Arrangement by Fugiwara Yuchiku The book speaks of the origins…
“you don’t have any ideas, you start making work without an idea, I always have an idea before I begin making a piece”