Meditation on the Studio Wall
During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.

During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.

Despite our strategies to bridge the visual gap between the photograph and the thing being photographed, that distance stubbornly remains…
Scanning through the Ikebana section of the university library I came upon this book: Rikka: The Soul of Japanese Flower Arrangement by Fugiwara Yuchiku The book speaks of the origins…
Curly willow or tortured willow, corkscrew willow, Salix matsudana ‘Tortusa’Dianthus caryophyllus, carnation Equisetum, (; horsetail, snake grass, puzzlegrass) Laurus nobilis of the family Lauraceae, laurel Aucuba japonica Aucuba japonica Japanese…
At present my studio is a building behind my house.
Over the past week I encountered two works that caught my attention. One was during a critique session at UVic when Nic Vandergugten presented a video installation of Tree Climb the other was over a coffee with Trudi Lynn Smith as we talked about her ongoing project Trouble With Trematodes.
Saturday October 17. Reciprocity: The large camera and the studio wall, is one of three ‘open studio’ events that Trudi Lynn Smith and I staged in order to invite dialogue around a project that we had been working on involving photography and the studio space at 562 Fisgard Street.