Meditation on the Studio Wall
During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.
During the 25 minutes that the camera exposed its film to a 16″ X 20″ section of the studio wall , I would sit, open my eyes and meditate on that section of the wall for the same length of time.
A curator working on research for a craft exhibition drew my attention to an image he had uncovered on the internet. It depicted a large sisal textile piece I had…
Despite our strategies to bridge the visual gap between the photograph and the thing being photographed, that distance stubbornly remains…
Saturday October 24. The Long Exposure: Duration, meditation and the un-archivable, is one of three ‘open studio’ events that Trudi Lynn Smith and I staged in order to invite dialogue around a project that we had been working on involving photography and the studio space at 562 Fisgard Street.
Installation in progress.
Over the past week I encountered two works that caught my attention. One was during a critique session at UVic when Nic Vandergugten presented a video installation of Tree Climb the other was over a coffee with Trudi Lynn Smith as we talked about her ongoing project Trouble With Trematodes.
Curly willow or tortured willow, corkscrew willow, Salix matsudana ‘Tortusa’Dianthus caryophyllus, carnation Equisetum, (; horsetail, snake grass, puzzlegrass) Laurus nobilis of the family Lauraceae, laurel Aucuba japonica Aucuba japonica Japanese…