Ho Tam Press Gallery

A curator working on research for a craft exhibition drew my attention to an image he had uncovered on the internet. It depicted a large sisal textile piece I had…

They haunted me for years before I could finally place them… small, darkly coloured, murky photographs of the night sky.

I consider  Morandi in his bedroom, painting images of bottles in Bologna while fascists take hold of Italy and think about about the relevance and significance of my ‘practice’. Adopting…

“We face the imperative to understand anew today what it might mean for photography to ‘move beyond representation’.” (Hito Steyerl from ‘Documentary Uncertainty’)

“you don’t have any ideas, you start making work without an idea, I always have an idea before I begin making a piece”

Over the past week I encountered two works that caught my attention. One was during a critique session at UVic when Nic Vandergugten presented a video installation of Tree Climb the other was over a coffee with Trudi Lynn Smith as we talked about her ongoing project Trouble With Trematodes.